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Frederik Anhalt folds Berlin into one compressed stage: public history above, private motion below. The TV tower stands like a fixed needle against a heavy sky, while the street line becomes a thin seam where a crowd gathers and waits.
Across the surface, hard geometry is interrupted by scrawled marks and layered color, as if memory keeps repainting the same scene. Celebration and unease share the frame; the city holds its breath, then moves on.