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KK81 holds a body in suspension: part specimen, part mirage. Edges slip between tenderness and abrasion, as if the surface is deciding what to keep and what to let dissolve.
A cool ground steadies the composition while bruised pinks and mineral greys fold into one another. At the center, an acidic flare reads like a rupture and a highlight at once, giving the work its uneasy calm and its bite.