KK115

KK115 holds a tense truce between heat and ash. A hard orange field presses forward while pale, marbled matter fractures at the edges, as if pigment has been pulled by gravity and then paused mid-collapse.

At the center, a clean absence acts like a cutout and a lens, turning void into structure. The work reads as both residue and signal: an abstract emblem where erosion becomes design and interruption becomes the point.